But some of us need to use it so please enough with this 'propaganda' about NAT. What I really don't understand is what is the problem? If someone does not want to use NAT (for ideological IPv6 nonsense or because there is no need) then don't use it. Or just because the so called IPv6-evangellists say there shouldn't be NAT, that does not mean that there are not legit use cases for some networks. Just because you don't need it or you don't like it doesn't make it 'wrong'. By that logic if you are using NAT on IPv4 (which I am sure you do) then you are doing something wrong. No offense, but that's just a lame argument and you know it. If you need to use NAT with IPv6 you're doing something wrong. It won't hurt those who oppose NAT but it will help those who need it for whatever reasons (good or bad - in network engineering terms). I am sure many people will appreciate it. Please consider adding support for NAT66. Since RouterOS is essentially linux based, and since the linux kernel in recent versions does support NAT66 it's merely a matter of integrating an already implemented feature on ROS UI/CLI (ok that's a speculation on my part, but I mean the hard work - implementation - has already been done ). It would be a shame to not implement it when giants like Juniper do. Regardless of the RFCs though, I believe NAT66 is an extremely useful feature. There is also an RFC about NPT (Network prefix translation) - also useful. rview.htmlĪlso CentOS for example with kernel 3.7+ already supports NAT66 Some advanced filtering can by applied to tcp packet state.IPv6-to-IPv6 NAT (NAT66), defined in Internet draft draft-mrw-behave-nat66-01, IPv6-to-IPv6 Network Address Translation (NAT66), is fully supported by the Junos OS. ip firewall filter add chain=input protocol=tcp src-address-list=blocked-addr \ Instead of simply dropping attacker's packets (with 'action=drop') router can capture and hold connections and with a powerful enough router it can slow the attacker down. LIMIT should be a value of 100 or even higher as many services use multiple connection (HTTP, Torrent, other P2P programs). ip firewall filter add chain=input protocol=tcp connection-limit=LIMIT,32 \Īction=add-src-to-address-list address-list=blocked-addr address-list-timeout=1d Are there too many suspicious connections?Īn IP address with too many connections can be added to a 'black-list' type address list for further blocking.Are there too many packets per second going through any interface?.Are there too many connections with syn-sent state present?.Track attack path and block it closer to source (by upstream provider).Reduce the number of firewall rules, queues and other packet handling actions. But there are some methods for minimising the impact of an attack. Every service can become overloaded by too many requests. Generally there is no perfect solution to protect against DoS attacks. All operations on packets which can take significant CPU power like firewalling (filter, NAT, mangle), logging, queues can cause overloading if too many packets per second arrives at the router. Which means that the CPU usage goes to 100% and router can become unreachable with timeouts. DoS (Denial of Service) attack can cause overloading of a router.
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My understanding (correct me if I'm wrong): The mastered track is the one that is used to manufacture records/cd's or upload files for digital consumption. In a word, it's like polishing a car out of the dealership to make sure it is nice and shiny and so forth. Once the two track file/tape is created, it needs to be "mastered" for further refining, adjustments, etc.Ī mastering engineer will make sure that the mixed track is not too loud compared to the other tracks of an album, will ensure that bass is not too loud or not too low, that mediums are well represented, that treble is adequate, may tweak the signal to make it sound louder or bring out certain frequencies. The mix is "bounced" onto a tape or a file (for contemporary projects that don't use tapes) made of a left channel and a right channel. The aim of course is to create something that sounds like what the artist and the producer want to deliver to the World. The mixing engineer then "mixes" the tracks by adjusting the sound of each track, the level, the equalization, the compression, and myriad other adjustments. The tracks thus created constitute the entire recording of the song. It used to be on multitrack tapes, it is now usually recorded into a hard drive using a program such as protools. These sources are recorded separately on their respective "tracks". Robbie's bass (or his bass can be plugged directly into the mixing/recording board)Įach of these constitute a discrete source of sounds Sly's drums (about 8 usually, one for the kick drum, several for the snares, toms, crash and one ambient) Let's use an example with Bitty McLean recording a new song with Sly Dunbar on drums, Robbie Shakespeare on bass, Dougie Bryan on guitar, Robbie Lyn on Keyboards. Here is a description of the chain of events that take place for a record to be madeĭuring that phase, the artist and musicians record a song. A round in the Mission, known as an Offensive, begins. A Villain is revealed, starting a Mission. Loyalty Discs are passed out HYDRA agents identify each other. The player to their left draws 4 Attack Cards.Īnyone still without Attack Cards draws 6. The player to the left of the First Player Token draws 2 Attack Cards. The player to last read a MARVEL comic takes the First Player Token. HYDRA agents, open your eyes and look at each other. To ensure this happens, someone should volunteer to say the following aloud after memorizing it: Players who are HYDRA will know who each other are, but S.H.I.E.L.D. The amount of HYDRA agents in the game is public knowledge. Each player secretly looks at their disc. Loyalty Discs face down in a pile and mix them all up. After showing the group both types of Loyalty Discs, place that amount of HYDRA and S.H.I.E.L.D. Count the number of people playing, then reference the chart below. Place the Avengers Tower Mover onto the New York City Card at 27 health. Place the Villain on top, followed by the Villains, and then the skull Villain. Except for Red Skull, randomly and secretly draw the four other Villains from their respective danger levels found on the back of the card and place them face down in a pile. One Villain, Two Villains, One Villain, and the Final Villain Red Skull. Shuffle the 80 Attack Cards and place them face down in a pile in the center of the New York City Card on the space that says "Draw Pile. member's efforts to defeat Villains, allowing the Villains to Destroy the City. HYDRA agents (the bad guys)- Sabotage the S.H.I.E.L.D. members (the good guys)- Defeat all the Villains before New York City is Destroyed It's up to your team to defeat them quickly and strategically! But beware, there may be HYDRA agents sabotaging your efforts. If a Villain survives a round, it will inflict damage on New York City. You will be defeating Villains as a team of Heroes. If you have already played HAIL HYDRA using the First Game Rules and are looking for the new changes to the game, read all sections that have the symbol below in the top left corner. If you've never played HAIL HYDRA before, it is recommended to use that guide first. HAIL HYDRA is best learned by following the read-along found on the First Game Rules located in this box. For the most part, when it comes to floor looms counterbalance and jack types are the most common because they’re the most flexible when it comes to the type of projects you can make and very easy to learn on. Or maybe you have knee or leg issues, and the gravity-assisted shed of the counterbalance may help keep you comfortable and healthy. If you know you want to weave lots of rugs (which need strong equipment!), a small folding loom may not have the rigidity and strength you need. But they are also more complex to tie up, since every treadle needs to be tied to every harness, and tend to have the biggest footprint of these four types of looms.īut how do you pick between these four? What’s ‘the best’? That’s where the three questions come in handy. Countermarch looms are kind of a blend between jack and counterbalance - they raise AND lower threads at the same time.Instead of being connected to one another, each harness is works independently and is raised using a series of jacks connected to your treadles. Jack looms generally come in 4, 8, 12, and 16 shafts, and are called rising shed looms.They operate using pulleys and gravity - when you press a treadle, the shafts attached to the treadle fall, and the opposite harnesses rise (IE - 1 and 2 fall, 3 and 4 rise). Counterbalance looms generally come with four harnesses.While it’s easiest to weave plain weave on a rigid heddle loom, you can see from Gist’s pattern collection that there’s a ton you can do on a rigid heddle. A rigid heddle loom is the equivalent of a two harness - they tend to be smaller and narrower than floor looms, and are very portable and easy to set up. Each of these different loom types accomplishes the same task in a slightly different way. Beyond these four looms you’ll also see tapestry looms, dobby, and other weaving systems - but as this is article is geared towards the basics, I’m keeping the list simple. There are four main types of used looms that I commonly see for sale in Canada and the US: rigid heddle, counterbalance, jack, and countermarch looms. And this tale brings me to the next question… My first impulse was to be excited too, but then I paused - with a jack loom, you’re lifting the harnesses with your feet, and would I really want to be lifting 2-3 60” long wood and metal shafts every time I pressed a treadle? That’s heavy enough even without the added weight of thread! My acquaintance passed on this loom - which I think was a good idea for them. An acquaintance once sent me a loom listing they were really excited about, a 60” jack loom that was being offered at a great price. I’m just shy of 6’ tall, and I know from sitting at different looms that the height of the breast beam seriously affects my comfort and ergonomics, so making sure that a loom accommodates my legs is key. You may have a spare corner of a living room or a disused bedroom, but in shared accommodations, your roommates may not welcome a huge loom taking up space.Īnother good thing to ask yourself is: will this loom work for my body? We’ve all got different needs and abilities, and it’s important to really think about what your body needs to be comfortable. Some looms are solid objects, while others, like the Baby Wolf, can fold and can be tucked away (or put into the car to bring to workshops or the cottage). Thinking about what size of loom is going to work in your living situation is an important question to ask yourself - looms tend to take up more room than you think. There was a time when I lived in a teeny studio apartment and was dying for a loom - but in retrospect, I probably would have had to sacrifice my dining table to fit it in (and I totally would have if the right one had come along - but that’s maybe another blog post!). What size is practical for my home/my body? It’s hard to know what you want to do when starting though, so it’s always good to ask yourself…Ģ. If you know you’d like more flexibility to work in structures like twill or doubleweave, or make wider items like blankets or yardage, a floor loom might be a better fit. For someone that wants to make scarves, small towels, or other narrow objects, a rigid heddle or table loom might be the perfect tool. Having an idea of what you feel excited about making can really help narrow your options down. What you can make on a given loom is primarily limited by two factors: size and how many shafts/harnesses that they have (more harnesses = greater complexity in structure/pattern). When someone asks me about buying a loom, I usually like to enquire what they want to make. Sims can gain likes and dislikes as they go along in life, or you can change them at any time to suit your tastes. For example, a Sim could really like blue, green and purple, but dislike the color brown and feel neutral to the others. This includes color, music and activity preferences. Thanks to the recent patch, Sims now have likes and dislikes, which means Sims will be able to like or dislike features of their newly renovated home. It appears to combine both gameplay and building, making this an extremely desirable pack for players who like both aspects of the game. RELATED: The Sims 4 Paranormal Stuff Pack Trailer Makes A Ghostly Appearance Do You Like or Dislike It?Īccording to The Sims 4 website, Sims can design and renovate new spaces for other Sims to live and play in. This means that even though the drunk tenant in the small but well-decorated Apartment 502 is down on their luck, you still have to demand that rent check. The goal: keep the tenants happy with their space and you stay paid. The Tenants, which feels more like The Sims series, is a renovation simulator and a landlord simulator. The ability to take a hammer to the walls is just one of many highlights of the game. For example, House Flipper is a somewhat realistic first-person renovation simulator where you can take on clients’ renovation requests. The new game pack looks like it will enthrall lovers of House Flipper and The Tenants, both produced by Frozen District. A new game pack, Dream Home Decorator, is arriving for fans of the beloved franchise and while it’s geared towards builders, it will also attract people who prefer gameplay. Builders enjoy creating homes and new locations for their Sims. People who prefer gameplay usually enjoy working on their Sims’ skills, families and stories. EA Games and Maxis‘ phenomenal game, The Sims 4, attracts mainly two kinds of players: people who prefer gameplay and people who prefer building. |
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